RE: (TV) what's doing it for you

[bedwellm@WellsFargo.COM]

"What I Say" is mellow/sad???
 Pete Cosey mellow? 
Are we talking about the same things?

Granted, My Bloody Valentine can be mellow (see "Loveless"), but. "Isn't
Anything" is not.

Micah

-----Original Message-----
From: Casey, Leo J [mailto:CaseyL@volpe.dot.gov]
Sent: Tuesday, April 18, 2000 1:17 PM
To: 'tv@obbard.com'
Subject: RE: (TV) what's doing it for you


Granted these are all pretty mellow/sad, but how about: 
John McLaughlin's electric version of his 'Follow Your Heart' on a record by
The Joe Farrell Quartet,  also McGlaughlin on Miles Davis' In A Silent
Way-----the 2 minute pieces that end both  side 1 and 2 of the vinyl
version; Pat Metheny's live version of 'Are You Going With Me?'; anything by
Baden Powell; Keith Richards' guitar on 'No Expectations'; (Magic) Sam
Maghett's  'I Found A New Love' (from his West Side Soul); Oh, and some guy,
named Verlaine, on 'Without A Word' and 'At 4a.m.'. 

	Leo
> -----Original Message-----
> From:	bedwellm@WellsFargo.COM [SMTP:bedwellm@WellsFargo.COM]
> Sent:	Tuesday, April 18, 2000 3:07 PM
> To:	tv@obbard.com
> Subject:	RE: (TV) what's doing it for you
> For me: John McLaughlin on "What I Say" off of Miles Davis' Live-Evil.
Pete
> Cosey off of anything he plays on with Miles. Kevin Shields from My Bloody
> Valentine. 
> -finally, that guitarist from the Embarrassment.
> 
> Sweet Lord!
> Micah
> 
> -----Original Message-----
> From: SCOTT ALDRICH [mailto:scott.aldrich@worldnet.att.net]
> Sent: Tuesday, April 18, 2000 10:54 AM
> To: tv@obbard.com
> Subject: (TV) what's doing it for you
> 
> As of late, these guitarists are doing it for me.
> 
> Zoot Horn Rollo, on Captain Beefheart's "Clear Spot", ferocious and funky.
> James Burton, on Gram Parson's "Grievous Angel" (check out "Ooh! Las
Vegas",
> sizzling solo), Merle Haggard's 60's Capitol singles, like "Mama Tried",
and
> Rick Nelson's late 50's singles, and on Dale Hawkins early rockabilly
> singles (though it isn't clear whether it's him or Roy Buchanan on which
> tracks, whoever is playing smokes).
> Cliff Gallup, from Gene Vincent & the Blue Caps (Race With The Devil,
Ain't
> She Sweet, so smooth).
> Jeff Beck on "Truth" (just got a UK mono copy of the LP, while a little
> surface-noisy, is still phenomenal and better than the common mix. It's
> everything you hoped he would do on "Roger the Engineer" by the
Yardbirds.)
> Richard Thompson (that intro to the Calvary Cross on I Want To See The
> Bright Lights Tonight is like a bagpipe's mournful call to arms!, also
Roll
> Over Vaughn Williams on Henry the Human Fly, and the entire Pour Down Like
> Silver LP)
> Joey Santiago,(yeah I know he ain't a player like those other guys but he
> sounds real cool on that early Pixies stuff).
> 
> Also drummers I suddenly notice:
> 
> Charlie Watts on Between the Buttons is so damn integral to those crazy
> songs. My God! That album is one of the most inventive and non-dated
> sounding of the era.
> Mick Avory of the Kinks, same story. His playing on the Kink Kontroversy
and
> Face to Face is fantastically musical. He was a Stone for a while! Before
> Charlie!
> Steve Goulding on the Mekons' "Rock 'N' Roll" and the new album, "Journey
To
> The End Of The Night". Great sympathetic playing to great songs..
> 
> Scott
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