No, that's fine. I was thinking "If this stuff is mellow....what the hell am I missing?"
Rocketing into the Middle Ages.
Micah
-----Original Message-----
From: Casey, Leo J [mailto:CaseyL@volpe.dot.gov]
Sent: Tuesday, April 18, 2000 1:36 PM
To: 'tv@obbard.com'
Subject: RE: (TV) what's doing it for you
Micah,
Sorry, I should have written "my following list is pretty mellow/sad, but how about:" I didn't mean to imply anything about your choices.
Leo
> -----Original Message-----
> From: bedwellm@WellsFargo.COM [SMTP:bedwellm@WellsFargo.COM]
> Sent: Tuesday, April 18, 2000 4:32 PM
> To: tv@obbard.com
> Subject: RE: (TV) what's doing it for you
>
> "What I Say" is mellow/sad???
> Pete Cosey mellow?
> Are we talking about the same things?
>
> Granted, My Bloody Valentine can be mellow (see "Loveless"), but. "Isn't
> Anything" is not.
>
> Micah
>
> -----Original Message-----
> From: Casey, Leo J [mailto:CaseyL@volpe.dot.gov]
> Sent: Tuesday, April 18, 2000 1:17 PM
> To: 'tv@obbard.com'
> Subject: RE: (TV) what's doing it for you
>
>
> Granted these are all pretty mellow/sad, but how about:
> John McLaughlin's electric version of his 'Follow Your Heart' on a record by
> The Joe Farrell Quartet, also McGlaughlin on Miles Davis' In A Silent
> Way-----the 2 minute pieces that end both side 1 and 2 of the vinyl
> version; Pat Metheny's live version of 'Are You Going With Me?'; anything by
> Baden Powell; Keith Richards' guitar on 'No Expectations'; (Magic) Sam
> Maghett's 'I Found A New Love' (from his West Side Soul); Oh, and some guy,
> named Verlaine, on 'Without A Word' and 'At 4a.m.'.
>
> Leo
> > -----Original Message-----
> > From: bedwellm@WellsFargo.COM [SMTP:bedwellm@WellsFargo.COM]
> > Sent: Tuesday, April 18, 2000 3:07 PM
> > To: tv@obbard.com
> > Subject: RE: (TV) what's doing it for you
> > For me: John McLaughlin on "What I Say" off of Miles Davis' Live-Evil.
> Pete
> > Cosey off of anything he plays on with Miles. Kevin Shields from My Bloody
> > Valentine.
> > -finally, that guitarist from the Embarrassment.
> >
> > Sweet Lord!
> > Micah
> >
> > -----Original Message-----
> > From: SCOTT ALDRICH [mailto:scott.aldrich@worldnet.att.net]
> > Sent: Tuesday, April 18, 2000 10:54 AM
> > To: tv@obbard.com
> > Subject: (TV) what's doing it for you
> >
> > As of late, these guitarists are doing it for me.
> >
> > Zoot Horn Rollo, on Captain Beefheart's "Clear Spot", ferocious and funky.
> > James Burton, on Gram Parson's "Grievous Angel" (check out "Ooh! Las
> Vegas",
> > sizzling solo), Merle Haggard's 60's Capitol singles, like "Mama Tried",
> and
> > Rick Nelson's late 50's singles, and on Dale Hawkins early rockabilly
> > singles (though it isn't clear whether it's him or Roy Buchanan on which
> > tracks, whoever is playing smokes).
> > Cliff Gallup, from Gene Vincent & the Blue Caps (Race With The Devil,
> Ain't
> > She Sweet, so smooth).
> > Jeff Beck on "Truth" (just got a UK mono copy of the LP, while a little
> > surface-noisy, is still phenomenal and better than the common mix. It's
> > everything you hoped he would do on "Roger the Engineer" by the
> Yardbirds.)
> > Richard Thompson (that intro to the Calvary Cross on I Want To See The
> > Bright Lights Tonight is like a bagpipe's mournful call to arms!, also
> Roll
> > Over Vaughn Williams on Henry the Human Fly, and the entire Pour Down Like
> > Silver LP)
> > Joey Santiago,(yeah I know he ain't a player like those other guys but he
> > sounds real cool on that early Pixies stuff).
> >
> > Also drummers I suddenly notice:
> >
> > Charlie Watts on Between the Buttons is so damn integral to those crazy
> > songs. My God! That album is one of the most inventive and non-dated
> > sounding of the era.
> > Mick Avory of the Kinks, same story. His playing on the Kink Kontroversy
> and
> > Face to Face is fantastically musical. He was a Stone for a while! Before
> > Charlie!
> > Steve Goulding on the Mekons' "Rock 'N' Roll" and the new album, "Journey
> To
> > The End Of The Night". Great sympathetic playing to great songs..
> >
> > Scott
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