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Re: (TV) fripp and bill



I'm naturally leery of digital effects, but I keep hearing interesting things about it. Sadly, a downloaded demo won't work on my machine with my cheap audio input device (works fine in Garage Band!).

Weird. I wonder what GR's doing that doesn't like your input device. Are you using a USB dongle? GR might require more bandwidth, maybe.

Nope--it seems to be a documented thing with the Griffin iMic and GR. I can see audio to the computer, GR is running fine, and I have plenty of overhead, so who knows. When I complained about such, I was told that GR came with a USB input so not to worry. That's all well and good, but I would like to HEAR it too!

I'm awaiting that time where digital modeling really can give you all those sweet tubes without the expense or trouble. It's coming, but are we there yet?

I think a lot of what people think of as "tube sound" is actually a combination of tubes, transformers (very important, and often overlooked), and the speaker cone, all of which have their own nonlinearities...[snip]

I've heard good reports on the Vox modeler in a box, whatever they call it. But I have to agree with you--listening to simulations of amps is like eating chicken-flavored crackers. You can KIND of see the flavor, but it's not like eating a real bird.

Add to that the fact that guitar sounds best through a very compressed audio spectrum (which is why all those high-tech digital bass systems sounded great, but the same technology for guitar kind of blows), which is kind of an antitheses of what most engineers try to do with digital. The most coveted amps tend to have cheaper (or, rather, more fragile lower watt) speakers, and a easy path to overloading the power amp. In my mind, the best amps sound good played loud with the speaker cone on the verge of self destroying.


Even "tube" gear can be lousy, btw--there's a lot of awful starved- plate stuff on the market, which gives you a caricature of what tubes sound like. While these days I'm usually going direct to the laptop and out to the PA, I'm using the EH LPB2ube (dumb name) as my preamp, cascading both channels into one. It's a pretty good sounding little box--better than any of the plugins I've tried-- though it suffers from EH's legendarily shoddy build quality. (One little, easily-loosened screw holds the circuit board just off the chassis, a fact which I discovered when that chassis went live with 300V right before a live radio broadcast. Ouch.)

I'm still playing through a Groove Tubes amp--versatile, all tube, hand wired. It's not finicky, but it is a bit limited in tone. Occasionally I long for an AC 30 turned full out, but I just can't hack the repair bills.... I hope amp modeling can someday get me half way there. I suspect I'd use it for recording (if it could emulate a room well, speaker distortion, etc), and then play live through actual amps and let the room model itself.

cheers,

M
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